Hailed a “firebrand” (Incident Light.com) and noted for her “supreme panache” (The Boston Musical Intelligencer), Colombian-American cellist Christine Lamprea was the First Prize winner of the 2013 Sphinx Competition. She joined the roster of the Sphinx Soloists Program, and as such is presented as soloist with major orchestras worldwide. She has also received awards from the National Foundation for Advancement in the Arts, the Young Texas Artists’ Competition and captured First Prize at the 2013 Schadt National String Competition. A winner of Astral Artists’ 2013 National Auditions, Ms. Lamprea has appeared as soloist with the Houston Symphony, New Jersey Symphony, and Hilton Head Symphony Orchestra, and has toured with the Sphinx Virtuosi across the U.S., in such venues as Carnegie Hall and the Kennedy Center. Upcoming engagements include performances with the Omaha and Bay Atlantic Symphonies, and solo recitals at the Krannert Center, Kravis Center, as well as her Philadelphia debut recital presented by Astral Artists. In 2016 and 2017, she premieres Jeffrey Mumford’s Cello Concerto with both the Detroit Symphony Orchestra, Ensemble 212, the Omaha Symphony, and the San Antonio Symphony.
An avid chamber musician, Ms. Lamprea has performed in the U.S., Canada, and Europe, in such venues as Alice Tully Hall, the Beethovenhaus, the Kennedy Center, and the Metropolitan Museum. She has participated in the Kneisel Hall Chamber Music School, Perlman Music Program, the Banff Centre, and Yellow Barn Chamber Music Festival, performing alongside such esteemed musicians as Shmuel Ashkenasi, Itzhak Perlman, Roger Tapping, and Carol Wincenc. She performs regularly in NYC with the Jupiter Symphony Chamber Players.
Ms. Lamprea strives to expand her musical boundaries by exploring many genres of music as well as non-traditional venues for performance and teaching. She has worked with members of Baroque ensemble Les Arts Florissants, and studied sonatas with fortepiano with Audrey Axinn. She has premiered several works by composers at The Juilliard School and the New England Conservatory. She was a member of a small ensemble that worked with jazz musician Anthony Coleman on avant-garde composer John Zorn’s game piece Cobra, for musical improvisers and prompter. A passionate teacher, Ms. Lamprea worked with Ecuadorian youth in the cities of Quito and Guayaquil, as part of a residency between The Juilliard School and “Sinfonia Por La Vida,” a social inclusion program modeled after Venezuela’s El Sistema program. She continued to pursue musical outreach as a Gluck Community Service Fellow at Juilliard, performing in hospitals and nursing homes in and around New York City as part of a mixed ensemble of dancers, actors, and musicians.
Ms. Lamprea is the recipient of a Paul and Daisy Soros Fellowship for New Americans. She studied with Bonnie Hampton at The Juilliard School and holds a Master’s degree from the New England Conservatory, where she studied with Natasha Brofsky. Previous teachers include Ken Freudigman and Ken Ishii. Ms. Lamprea plays a cello made in 2001 by Guy Cole.